Never underestimate the power of a musical duo whose primary instrument is software. In the last few years, indie music has welcomed a handful of dynamic partnerships that utilize the electronic music medium and remind listeners that indie music can be more than melancholy harmonies and brooding lyrics. Bands like Ghostland Observatory, Oppenheimer and, most recently, Project Jenny, Project Jan are churning out infectious tunes that create a stir in your pants and resurrect those dormant dancing desires. Though the latest release from Brooklyn-based Project Jenny, Project Jan, The Colors EP, is only 19 minutes long, the pair utilizes every minute by keeping the album’s overall tone upbeat, fun and danceable.
Each song on the 5-song EP features an impressive collaborative counterpart that keeps the overall tone of the album fresh and interesting. Though the collaborations vary significantly in style and form, it is those differences that add richness and depth to the album’s sound. “Pins and Needles” kicks off the record with a subdued electronic vibe that is chill but still dance worthy. “You Said” was mixed with American 4-piece percussion band So Percussion and reads much more organic than other songs on the album. The interweaving of synthetic noise with angelic vocal harmonies and percussive instrumentation creates a powerful rhythmic marriage. “Caller ID” is somewhat reminiscent of DJ Shadow-esque creations fusing hip hop, electronic beats and other musical mediums resulting in a darker, edgier sound. The EP’s last track is also its most energetic. “Junk” is a mix featuring the elusive Clack Singles Club. “Junk” is loaded with old school keyboarding circa 1983, over-dramatized vocals and all around silliness. It is the ideal track to round out an album that started strong but finished stronger.
--Brigitte B. Zabak [June 24, 2009]
